Specious-Species    2018  Installation, variable dimensions.    Interested in how systems of categorization and classification neglect the mutability and specificity of things,  Specious-Species , explores questions of embodiment and concerns Processes of transformation which expose the potential of the material medium as an intermediary to the imaginary. Engaging phenomenological experience, resulted in the creation of a set of ad-hoc cyphers and symbols that characterize my way of responding to the everyday things around me as a means of finding creative outcomes that result from a willed desire or inherent sensibility.  There is often a desire to resist classification or subvert terms and their meanings in my works. The definition of the word ‘Specious’ is; misleading in appearance, superficially plausible but actually false.Works on display, result from a general questioning about the state of apprehension in relation to something that isn’t immediately knowable, they remain in that moment prior to our asserting ‘it is this or that thing’. The intention expressing itself, is for the cultivation of a sentient engagement with the world.

Specious-Species

2018

Installation, variable dimensions.

Interested in how systems of categorization and classification neglect the mutability and specificity of things, Specious-Species, explores questions of embodiment and concerns Processes of transformation which expose the potential of the material medium as an intermediary to the imaginary. Engaging phenomenological experience, resulted in the creation of a set of ad-hoc cyphers and symbols that characterize my way of responding to the everyday things around me as a means of finding creative outcomes that result from a willed desire or inherent sensibility.

There is often a desire to resist classification or subvert terms and their meanings in my works. The definition of the word ‘Specious’ is; misleading in appearance, superficially plausible but actually false.Works on display, result from a general questioning about the state of apprehension in relation to something that isn’t immediately knowable, they remain in that moment prior to our asserting ‘it is this or that thing’. The intention expressing itself, is for the cultivation of a sentient engagement with the world.

   Specious-Species   - Installation shot.    Tall-Tails    2018  Digital inkjet print, 100% recycled paper.

Specious-Species - Installation shot.

Tall-Tails

2018

Digital inkjet print, 100% recycled paper.

   Specious-Species    -  Installation shot    Tall-Tail    2018  Birch branch, pine needles, graphite, latex.

Specious-Species - Installation shot

Tall-Tail

2018

Birch branch, pine needles, graphite, latex.

   Specious-Species   - Installation shot  Pinhole prints.  2018

Specious-Species - Installation shot

Pinhole prints.

2018

   Specious-Species   - Installation shot    Tall-Tail  &  Faux-Foe    2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

  Specious-Species  - Installation shot    Tall-Tail  &  Faux-Foe    2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

  Specious-Species  - Installation shot    Tall-Tail  &  Faux-Foe    2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

   Faux-Foe    2018  Pins (brass, gold plated, steel, nickel), velvet, latex.

Faux-Foe

2018

Pins (brass, gold plated, steel, nickel), velvet, latex.

   Specious-Species    No.2   Pinhole print.  2018

Specious-Species No.2

Pinhole print.

2018

   Specious-Species    No.1   Pinhole print.  2018

Specious-Species No.1

Pinhole print.

2018

  Specious-Species  - Installation.  2018  Woodworm lens Lightbox, acetate print of Phoenician carving of ‘A lioness devouring boy’

Specious-Species - Installation.

2018

Woodworm lens Lightbox, acetate print of Phoenician carving of ‘A lioness devouring boy’

   Specious-Species    2018  Installation, variable dimensions.    Interested in how systems of categorization and classification neglect the mutability and specificity of things,  Specious-Species , explores questions of embodiment and concerns Processes of transformation which expose the potential of the material medium as an intermediary to the imaginary. Engaging phenomenological experience, resulted in the creation of a set of ad-hoc cyphers and symbols that characterize my way of responding to the everyday things around me as a means of finding creative outcomes that result from a willed desire or inherent sensibility.  There is often a desire to resist classification or subvert terms and their meanings in my works. The definition of the word ‘Specious’ is; misleading in appearance, superficially plausible but actually false.Works on display, result from a general questioning about the state of apprehension in relation to something that isn’t immediately knowable, they remain in that moment prior to our asserting ‘it is this or that thing’. The intention expressing itself, is for the cultivation of a sentient engagement with the world.
   Specious-Species   - Installation shot.    Tall-Tails    2018  Digital inkjet print, 100% recycled paper.
   Specious-Species    -  Installation shot    Tall-Tail    2018  Birch branch, pine needles, graphite, latex.
   Specious-Species   - Installation shot  Pinhole prints.  2018
   Specious-Species   - Installation shot    Tall-Tail  &  Faux-Foe    2018
  Specious-Species  - Installation shot    Tall-Tail  &  Faux-Foe    2018
  Specious-Species  - Installation shot    Tall-Tail  &  Faux-Foe    2018
   Faux-Foe    2018  Pins (brass, gold plated, steel, nickel), velvet, latex.
   Specious-Species    No.2   Pinhole print.  2018
   Specious-Species    No.1   Pinhole print.  2018
  Specious-Species  - Installation.  2018  Woodworm lens Lightbox, acetate print of Phoenician carving of ‘A lioness devouring boy’

Specious-Species

2018

Installation, variable dimensions.

Interested in how systems of categorization and classification neglect the mutability and specificity of things, Specious-Species, explores questions of embodiment and concerns Processes of transformation which expose the potential of the material medium as an intermediary to the imaginary. Engaging phenomenological experience, resulted in the creation of a set of ad-hoc cyphers and symbols that characterize my way of responding to the everyday things around me as a means of finding creative outcomes that result from a willed desire or inherent sensibility.

There is often a desire to resist classification or subvert terms and their meanings in my works. The definition of the word ‘Specious’ is; misleading in appearance, superficially plausible but actually false.Works on display, result from a general questioning about the state of apprehension in relation to something that isn’t immediately knowable, they remain in that moment prior to our asserting ‘it is this or that thing’. The intention expressing itself, is for the cultivation of a sentient engagement with the world.

Specious-Species - Installation shot.

Tall-Tails

2018

Digital inkjet print, 100% recycled paper.

Specious-Species - Installation shot

Tall-Tail

2018

Birch branch, pine needles, graphite, latex.

Specious-Species - Installation shot

Pinhole prints.

2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

Specious-Species - Installation shot

Tall-Tail & Faux-Foe

2018

Faux-Foe

2018

Pins (brass, gold plated, steel, nickel), velvet, latex.

Specious-Species No.2

Pinhole print.

2018

Specious-Species No.1

Pinhole print.

2018

Specious-Species - Installation.

2018

Woodworm lens Lightbox, acetate print of Phoenician carving of ‘A lioness devouring boy’

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